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But they broke up quickly, and when they reunited in 2013, they’d gotten a lot weirder and more interesting. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackĪfterbirth were a relatively typical gore-and-blasphemy Long Island death metal act in the vein of Suffocation or Pyrexia when they first emerged in 1993. But all of it will reinforce the idea that metal is far from monochromatic: in fact, it’s often bafflingly weird.
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Some of them feature traditional “Cookie Monster” vocals, while others are entirely instrumental some will make you want to pump your fist and bang your head, while others will make you want to sleep with the lights on. The seven albums below run the gamut from so-called “technical death metal” to stuff that’s, well, only technically death metal. And often, the weirder death metal gets, and the farther afield it wanders from its guttural, grimy origins, the more interesting it is. It can sound like four people who stole some instruments and wrote some riffs last week, or like the product of musos who’ve spent a decade practicing sweep picking in 11/8 time. The foundations-meaty, face-punching riffs, blasting drumbeats-remain pretty much mandatory but beyond that, it’s anything goes.
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In the last 36 years, death metal has metastasized to encompass dozens of sub-subgenres and niche styles. The Bay Area band Possessed are often credited with inventing the style on their 1984 Death Metal demo tape (not to be confused with Mantas’ Death By Metal, which was also released in 1984 by a band who would later change their name to Death). Can you believe death metal is almost 40 years old? For a musical style that often displays a willful, even perverse immaturity, that’s pretty amazing.